Sound Design & Editing
Audio production is one my passions and I love editing the sound effects and dialogue in films. Foley is one of my favourites aspects of post production audio and I always record sounds whenever I get a chance too.
Companies like PBL voiceover have been an incredible outlet for giving me the opportunity to let my creative juices flow and wild with the sound effects.
PBL Voiceover
For the past several months I've been audio designing and editing voiceover artist's showreels for PBL voiceover. I big part of my job is creating soundscapes that advertise to production companies the voiceover artist talent. I have few examples of my work listed below. If you are interested in getting your own voiceover reel done the out PBL voiceover linked below.
Link: Home - PBL Voiceover Coach - Professional VO Coaching - Ireland
FNI Wrapchat
FNI Wrapchat is a podcast that I do the audio editing for and occasionally host whenever there's a Horror film being released. The podcast is incredible oncoming series that I absolute working on. Throughout my working on the podcast I've been incredibly to have interviewed some of Ireland's most talented filmmakers and get fantastic insight into their experience and workflow. If you are interested in listening to the podcast I have the Spotify version and the episode where I interviewed Director Conor McMahon linked below.
Link: https://open.spotify.com/show/6RTcxB35h6s7wZa4CEhdDW?si=254fc9d5467b453f
Interview with Conor McMahon link
​https://open.spotify.com/episode/7tC0Iyt9AuMRnqbhccDF2G?si=103ed58e85d94c59
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The Wise and the Wicked
The Wise and the Wicked is a podcast that I co-produced with my co-producer/host KJ. I edit the content of the show and design the audio to make it sound like KJ is telling a bedtime story. The show covers a whole ray of topics from conspiracy theories to true crime.
Canine
Canine is short documentary that I work on in the post production team. I was the sound designer for the project. I was given the task of design and editing the sound of the various dogs that appear in the film. The director, Paul Webster was clear in what he wanted. he wanted to me make the audience that AK (the main dog in the film) was the main character and not just the subject piece. I achieved this by recording various sounds with my own dog and editing in it the film to make him sound more of a threat to the poachers.